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Date: |
17th December 2020 |
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Entry: |
4 digital panels |
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Criteria: |
A matched panel, of three or four prints or digital images, that will be displayed together, and will be judged as a set. The digital images should be presented in one composite image of 1400x1050 pixels (width x height). Entries in the panel competition may be representative of any branch of photography. Usually, the Panels Competition is judged as one section for all members and there are two awards, one for print entries, and one for digital entries, but this year we have increased the maximum entry to four digital panels, so the competition will be judged in our three groups. |
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Judge: |
Rob Ings |
| Group 1 | Group 2 | Group 3 | ||||
| First Place: | Death in a Jam Jar * | Aileen Nock | Braveheart the Kitten | Jolanta B Axon | Impressions | Sue Pearmain |
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Second Place: |
Guitar Panel | Chris Lee | 'Sarah Raven' Dahlia Opening Up | Jolanta B Axon | An Epiphone | Phil Moorhouse |
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Third Place: |
Tight Turns in the Bee Hotel | Aileen Nock | Autumnal | Jolanta B Axon | Where's the Bill? | Mick Schilling |
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Highly Commended: |
Autumn Fruits | Georgina Foxwell | Thor's Battle | Ray Manning | Door Furniture | Val Manning |
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Up, Up and Away | Georgina Foxwell | Simplistic | Hazel Lane | Scratching the Spot | Mick Schilling |
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Commended: |
Darling Buds of May | Mick O'Malley | A Misty Day | Dave Ward |
Through the Eye of a Needle |
Roy Buckle |
| Thornham Stumps | Jenny Ladbrooke | Embleton Bay | Dave Ward | Grasses |
David Venables |
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Mute Swan and Heron Encounter |
Jolanta B Axon | All That's Left is Skin and Bone | Jane Storer | |||
* Winner of the Watkins Trophy for the Best Digital Panel
